(真正的吉尔伯特和沙利文歌集)The Authentic Gilbert & Sullivan Songbook pdf mobi 下载 kindle 115盘 chm 阿里云 rb

The songs of Gilbert & Sullivan, as with many near-legendary works adopted by

an enthusiastic, uncritical public, have not always survived in the most reliable

form. A word gets lost or blurred, a strophe is dropped, and the song evolves

along uncontrollable lines. Fortunately many of the early vocal scores authorized

by Sir Arthur Sullivan still exist--and are reprinted here, in the most complete

and authentic anthology of Gilbert & Sullivan currently available.

92 songs from all 14 operettas are reproduced in the form Sullivan approved.

Each number in this collection--solo, chorus, patter song, ballad, etc.--is pre-

sented uncut, unedited, in the original key, in Sullivan's original piano arrange-

ments. The memorable ditties from the pair's 25:year collaboration

(1871-96)

appear, along with many not so well known, including a piece from their first

joint effort, Thespis (1871), the entire score of which has been lost except for

two numbers.

Plot Summaries

THESPIS; on, THE GODS GROWN OLD (Gaiety Theatre,London, December 26, 1871)"Little maid of Arcadee" TRIAL BY JURY (Royalty Theatre, London, March 25,1875)

"When first my old, old love I knew"

"When I, good friends, was call'd to the bar"

"With a sense of deep emotion"

"O gentlemen, listen I pray"

THE SORCERER (Opera Comique, London, November17, 1877)

"Time was, when Love and I"

"Welcome joy] adieu to sadness!"

"My name is John Wellington Wells"

"Dear friends, take pity on my lot"

HMS PINAFORE; OR, THE LASS THAT LOVED A SAILOR(Opera Comique, London, May 25, 1878)

"We sail the ocean blue"

"I'm called little Buttercup"

"A maiden fair to see"

"I am the captain of the Pinafore"

"I am the monarch of the sea"

"When I was a lad"

"Never mind the why and wherefore"

"He is an Englishmanl"

THE PIRATES OF PENZANCE; OR, THE SL***E OF DUTY(The Fifth Avenue Theatre, New York, December31, 1879; performance to secure British copyright atthe Royal Bijou Theatre, Paignton, Dev***hire,December 30, 1879)

"Oh, better far to live and die"

"Poo***and'ring one"

"I am the very model of a modern Major-General"

"When the foeman bares his steel"

"When you had left our pirate fold"

"When a felon's not engaged in his employ-menf"

"With cat-like tread"

PATIENCE; OR, BUNTHORNE'S BRIDE (Opera Comique,London, April 23, 1881; transferred to The Savoy Theatre for opening on October 10, 1881)

"I cannot tell what this love may be"

"If you want a receipt"

"Am I alone, And unobserved?"

"Prithee, pretty maiden"

"Sad is that woman's lot"

"A magnet hung in a hardware shop"

"So go to him"

"When I go out of door"

IOLANTHE; OR, THm PEER AND THE PEru (Savoy Thea-tre, London, November 25, 1882 )

"Tripping hither, tripping thither"

"Loudly let the trumpet bray" (March of the Peers)

"The Law is the true embodiment"

"Spurn not the nobly born"

"When I went to the Bar"

"When all night long a chap remains"

"When Britain really rul'd the waves"

"Oh, foolish fay"

"Love, unrequited" (Nightmare song)

"If you go in"

PRINCESS IDA; OR, CASTLE ADAMANT (Savoy Theatre,London, January 5, 1884)

"If you give me your attention"

"Expressive glances"

"I am a maiden"

"A Lady fair"

"Would you know the kind of maid"

"Whene'er I spoke"

"This helmet, I suppose"

THE MIKADO; OR, THE TOWN OF TITIPU (Savoy Thea- tre, London, March 14, 1885)'

"A wand'ring minstrel I"

"Behold the Lord High Executioner!"

"As some day it may happen"

"Three little maids"

"So please you, Sir"

"For he's going to marry Yum-Yum"

"The sun, whose rays"

"Brightly dawns ou***edding day"

"Here's a how-de-do"

"Miya sama"

"A more humane Mikado"

"The flowers that bloom in the spring"

"Alone, and yet alivel"

"On a tree by a river" (Titwillow)

……

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书籍介绍

Largest selection available; 92 songs, uncut, original keys, in piano renderings approved by Sullivan. Favorites and lesser-known numbers.