The History of P***ography(I***N9780870703812) pdf mobi 下载 kindle 115盘 chm 阿里云 rb

　　Since its first publication in 1937, this lucid and scholarly

chronicle of the history of p***ography has been hailed as the

classic work on the subject. No other book and no other author have

managed to relate the aesthetic evolution of the art of p***ography

to its technical innovati*** with such an absorbing combination of

clarity, scholarship and enthusiasm. Through more than 300 works by

such master p***ographers as William Henry Fox Talbot, Timothy

O'Sullivan, Julia Margaret Cameron, Eugene Atget, Peter Henry

Emerson, Alfred Stieglitz, Paul Strand, Alvin Langdon Coburn, Man

Ray, Edward Weston, Dorothea Lange, Walker Evans, Ansel Adams,

Brassai, Henri Cartier-Bresson, Harry C***n, Minor White, Robert

Frank and Diane Arbus, author Beaumont Newhall presents a

fascinating, comprehensive study of the significant trends and

developments in the medium since the first p***ographs were made in

1839. New selecti*** added to the fifth edition include p***ographs

made in color, from hand-tinted daguerreotypes of 1850 to

turn-of-the-century autochromes by Edward Steichen, to works by

contemporary masters such as Eliot Porter, Ernst Haas, William

Eggleston, Stephen Shore and Joel Meyerowitz.Beaumont Newhall

(1908-1993) was an influential curator, art historian, writer and

p***ographer. In 1935 he became the Librarian at The Museum of

Modern Art, New York. In 1940, he became the first Director of

MoMA's P***ography Department. He served as Curator of the

International Museum of P***ography at the Ge***e Eastman House

from 1948 to 1958, then as its Director from 1958 to 1971. While at

the Eastman House, Newhall was resp***ible for amassing one of the

greatest p***ographic collecti*** in the world.

PREFACE

1　THE ELUSIVE IMAGE

2　INVENTION

3　THE DAGUERREOTYPE: THE MIRROR WITH A MEMORY

4　THE CALOTYPE: THE PENCIL OF NATURE

5　PORTRAITS FOR THE MILLION

6　ART PHOTOGRAPHY

7　NEW FORM OF COMMUNICATION"

8　THE CONQUEST OF ACTION

9　PICTORIAL PHOTOGRAPHY

10　STRAIGHT PHOTOGRAPHY

11　IN QUEST OF FORM

12　INSTANT VISION

13　DOCUMENTARY PHOTOGRAPHY

14　PHOTOJOURNALI***

15　IN COLOR

16　NEW DIRECTIONS

NOTES

BIBLIOGRAPHY

INDEX

Beaumont Newhall (1908–1993) was an influential curator, art historian, writer and p***ographer. In 1935 he became the Librarian at The Museum of Modern Art, New York. In 1940, he became the first Director of MoMA's P***ography Department. He served as Curator of the International Museum of P***ography at the Ge***e Eastman House from 1948 to 1958, then as its Director from 1958 to 1971. While at the Eastman House, Newhall was resp***ible for amassing one of the greatest p***ographic collecti*** in the world.

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书籍介绍

Since its first publication in 1937, this lucid and scholarly chronicle of the history of p***ography has been hailed as the classic work on the subject. No other book and no other author have managed to relate the aesthetic evolution of the art of p***ography to its technical innovati*** with such an absorbing combination of clarity, scholarship and enthusiasm. Through more than 300 works by such master p***ographers as William Henry Fox Talbot, Timothy O'Sullivan, Julia Margaret Cameron, Eugene Atget, Peter Henry Emerson, Alfred Stieglitz, Paul Strand, Alvin Langdon Coburn, Man Ray, Edward Weston, Dorothea Lange, Walker Evans, Ansel Adams, Brassai, Henri Cartier-Bresson, Harry C***n, Minor White, Robert Frank and Diane Arbus, author Beaumont Newhall presents a fascinating, comprehensive study of the significant trends and developments in the medium since the first p***ographs were made in 1839. New selecti*** added to the fifth edition include p***ographs made in color, from hand-tinted daguerreotypes of 1850 to turn-of-the-century autochromes by Edward Steichen, to works by contemporary masters such as Eliot Porter, Ernst Haas, William Eggleston, Stephen Shore and Joel Meyerowitz. Beaumont Newhall (1908-1993) was an influential curator, art historian, writer and p***ographer. In 1935 he became the Librarian at The Museum of Modern Art, New York. In 1940, he became the first Director of MoMA's P***ography Department. He served as Curator of the International Museum of P***ography at the Ge***e Eastman House from 1948 to 1958, then as its Director from 1958 to 1971. While at the Eastman House, Newhall was resp***ible for amassing one of the greatest p***ographic collecti*** in the world.