ROBERT FRANK：THE AMERICANS （ENGLISH EDN）罗伯特·弗兰克：美国人 pdf mobi 下载 kindle 115盘 chm 阿里云 rb

Armed with a camera and a fresh cache of film and bankrolled by a Guggenheim Foundation grant, Robert Frank crisscrossed the United States during 1955 and 1956. The p***ographs he brought back form a portrait of the country at the time and hint at its future. He saw the hope of the future in the faces of a couple at city hall in Reno, Nevada, and the despair of the present in a grimy roofscape. He saw the roiling racial tension, glamour, and beauty, and, perhaps because Frank himself was on the road, he was particularly attuned to Americans' love for cars. Funeral-goers lean against a shiny sedan, lovers kiss on a beach blanket in front of their parked car, young boys perch in the back seat at a drive-in movie. A sports car under a drop cloth is framed by two California palm trees; on the next page, a blanket is d***d over a car accident victim's body in Arizona.

Robert Frank's Americans reappear 40 years after they were initially published in this exquisite volume by Scalo. Each p***ograph (there are more than 80 of them) stands alone on a page, while the caption information is included at the back of the book, allowing viewers an unfettered look at the images. Jack Kerouac's original introduction, commissioned when the p***ographer showed the writer his work while sitting on a sidewalk one night outside of a party, provides the only accompanying text. Kerouac's words add narrative dimension to Frank's imagery while in turn the p***ographs themselves perfectly illustrate the writer's own work. --This text refers to an out of print or unavailable edition of this title.

作者简介：

Robert Frank was born in Zurich in 1924 to parents of Jewish descent. He immigrated to the United States two years after World War II ended, and since then he has produced work that changed the history of art and p***ography. Groundbreaking projects include The Americans, Lines of My Hand, Black White and Things, Pull My Daisy and Cocksucker Blues. Frank was the subject of a major retrospective ***anized by the National Gallery of Art, Washington, in 1994. He was the recipient of the Hasselblad Award in 1996. A major exhibition ***anized by The National Gallery of Art, Looking In: Robert Frank's "The Americans," will tour nationally in 2009, with stops in Washington, San Francisco and New York.

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Armed with a camera and a fresh cache of film and bankrolled by a Guggenheim Foundation grant, Robert Frank crisscrossed the United States during 1955 and 1956. The p***ographs he brought back form a portrait of the country at the time and hint at its future. He saw the hope of the future in the faces of a couple at city hall in Reno, Nevada, and the despair of the present in a grimy roofscape. He saw the roiling racial tension, glamour, and beauty, and, perhaps because Frank himself was on the road, he was particularly attuned to Americans' love for cars. Funeral-goers lean against a shiny sedan, lovers kiss on a beach blanket in front of their parked car, young boys perch in the back seat at a drive-in movie. A sports car under a drop cloth is framed by two California palm trees; on the next page, a blanket is d***d over a car accident victim's body in Arizona.

Robert Frank's Americans reappear 40 years after they were initially published in this exquisite volume by Scalo. Each p***ograph (there are more than 80 of them) stands alone on a page, while the caption information is included at the back of the book, allowing viewers an unfettered look at the images. Jack Kerouac's original introduction, commissioned when the p***ographer showed the writer his work while sitting on a sidewalk one night outside of a party, provides the only accompanying text. Kerouac's words add narrative dimension to Frank's imagery while in turn the p***ographs themselves perfectly illustrate the writer's own work.

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书籍介绍

Reprint edition of Robert Frank: The Americans, Scalo Publishers 1998.

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